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THE 28MM FOCAL LENGTH
Here’s why I think the 28mm is the best storytelling lens. It’s wide. But, if you have previously mastered the 17 or 21mm focal length, it’s perfect. Plus the 28mm is extremely cinematic. It’s the same effective focal length as a smartphone. Except, depending on your camera body, it is even smarter. It has multiple more megapixels to record all that information. Continue reading “”
THE PORSCHE EFFECT
Thanks to everyone at Road Scholars Magazine and the Petersen Automotive Museum for the opportunity to cover opening night of “The Porsche Effect” exhibit in LA. Shot entirely with a Leica Q and 28mm lens. Read all about it here: Continue reading “”
PERSONAL WORK – 2017
Followers of my blog know that at the end of each year I pick a series of what I consider to be my best three personal images from a non-assignment single location. Continue reading “”
THROWBACK THURSDAY
Here’s a look at an M9-P from 2013, my first digital Leica rangefinder. The black paint is now brassed after 100,000 exposures, but it’s still a favorite piece of gear for personal work, fine art, and vacations! Continue reading “”
A ROOM WITH A VIEW
There are some scenes I come across that are inherently perfect. The colors, the lines, the balance, everything works together – like a painting. You just point and shoot. The result is a travel souvenir that continues to reward after repeated viewing. Continue reading “”
PERCEPTION
We do not see what there is, but we see what we want to see or have learned to see. The important (thing) is to understand what we do not see. – Erwin Puts Continue reading “”
THANKS LEICA!
It was a pleasure speaking at the monthly Cameras, Coffee & Conversation in Washington state’s Leica Store Bellevue. Thanks to Brandon, Ford, Angela, Nathan and Steve for their invitation. Continue reading “”
THROWBACK THURSDAY
One of the all-time great mechanical Leica rangefinders built from 1984 to 2003. Here’s my M6 built in 1991, my fifth Leica rangefinder after a M4-2, M3, M2 and M4. Continue reading “”
JOIN ME AT THE LEICA STORE BELLEVUE ON SUNDAY, MARCH 19
You are invited to join me on Sunday, March 19th at 1 pm for this month’s Coffee, Cameras and Conversation event at the Leica Store in Bellevue Square, Washington. Continue reading “”
THROWBACK THURSDAY
Can’t afford a new digital Leica SL with 50mm lens? There’s always the all analog Leicaflex SL from the early ’70s. It was made from 1968 to 1974, with 1080 being capable of being motorized (SLMOT). Here’s my first Leica camera, bought used in 1979. Hey, if it was good enough gear for Ernst Haas… Continue reading “”
THE NEGATIVE BEHIND THE SHOT – BRESSON
Thanks to the website Leicaphilia for posting this shot of Henri Cartier-Bresson’s negative and portrait of the “decisive moment” he made so famous in still photography over 80 years ago. Continue reading “”
THROWBACK THURSDAY
Winter is a great time to do some tabletop studio work. On the third Thursday of each month, I’ll be posting a new still photograph of one of my old film cameras. Call it a retro phase.
Leica’s M4-2 was a short-lived model built from 1978 to 1980. It was a simplified revision of the M4 (’66-’75). It didn’t have a self timer, but it had a working hot shoe and could take a winder. About 16,000 were made, including mine shown here. Bought in 1979, it was my first Leica rangefinder. Continue reading “”
PERSONAL WORK – 2016
2016 was a very creative year for me, and 2017 is not letting up. Here are some images of mine shot in Los Cabos, Mexico last year with a Leica M9-P and 50mm Summicron.
HAPPY NEW YEAR!
Those who follow my blog, know that at the end of each year I pick a series of what I consider my best three personal images from a non-assignment single location. Continue reading “”
ERNST HAAS TRIBUTE WEEK
1953 First Color Photo Essay – LIFE
1962 First Color Photography Exhibition – MOMA
“As part of this week long tribute to Ernst Haas on the 30th anniversary of his death (September 12, 1986), I share my remembrance on AI-AP/Pro Photo Daily,” says my dear friend and colleague Arthur Meyerson. Arthur was there in 1984 when the opportunity came to travel with Ernst on a photo tour of Japan. That’s where I made this photo of him and our mentor. Continue reading “”
