BILL EVANS
This month marks the 50th anniversary of the recording of the late Bill Evans’ famous live dates at the Village Vanguard in NYC. Evans is arguably one of the most influential pianists in jazz. His modal style is written all over Miles Davis’ classic Kind of Blue, and his use of impressionistic chord progression, inventive interpretation of traditional jazz favorites, and harmonic “singing” melodies has influenced a virtual generation of “who’s who” jazz pianists.
The first two albums that resulted from this appearance were Sunday at the Village Vanguard and Waltz for Debby. These records are widely considered to be Evans’ best. The emotive interplay and intuitive anticipation between the trio members is otherworldly at times.
This was Evans’ first trio, which included bassist Scott LaFaro and drummer Paul Motian. These albums were from their last live date – LaFaro died in a car accident just ten days later.
A 45 RPM double LP and SACD of both albums was released by Analogue Productions, and these remain sonic masterpieces for audiophiles. The original Riverside vinyl is sought after by collectors and thus expensive in great condition.
Bill Evans’ music displays a creative mastery of intuitive harmony, rhythm, and jazz conception. Highly recommended.
(Cover Photographer: Unknown)