Author: Randy Wells

KID CHARLEMAGNE

Three dozen years ago, Walter Becker and Donald Fagen of Steely Dan were putting the finishing touches on one of their lesser known albums – The Royal Scam. It’s a “fusion of a funk rhythm and jazz harmonies with rock and roll instrumentals and lyrical style” according to Wikpedia.

Of particular note is the track, “Kid Charlemagne”. On this song, guitarist Larry Carlton incorporated a jazz-inflected electric solo. It’s become famous for its difficulty to play and also for the finger-tapped hammer-on technique implemented near the end. This effect was not widely used until Van Halen’s first album was released two years later. Continue reading “”

BOB DYLAN

Fifty years ago today, Bob Dylan released his debut album on Columbia Records. Billboard said at the time, “Dylan, when he finds his own style, could win a big following.”

Like many of Dylan’s early albums, including Freewheelin’, you want to hear this in mono. The stereo records of this title are hard panned 2 track mixes with the guitar in one channel and vocals in the other. Sony recently put out a Dylan mono LP and CD box set that sounds great. Continue reading “”

GIVE US A RING

In the wee small hours of the evening/morning when I’m home I often sit down and listen to vinyl records on my stereo. Sometimes it’s Sinatra. Sometimes it’s Miles Davis, Bill Evans, Beck, Nick Drake or John Martyn. Here’s something I find fascinating…

Once I begin to play certain songs, I know I will be hearing them in my head for hours. Here’s a virtually unknown tune from 1970, it’s disarmingly simple and comforting, an endless poem/lullaby song cycle that’s somewhat melancholic, with lyrics that make no sense whatsoever. Perfect for those trying to fall asleep. Paul Harris on piano is sublime.

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BLUES BREAKERS MONO LP REVIEW

My article discussing this landmark 1966 British blues album and Sundazed’s recent mono reissue is now on-line at Michael Fremer’s MusicAngle.com. Included is a brief history of the role Eric Clapton played in John Mayall’s Blues Breakers band and how the various pressings compare for this often preferred mono mix.

(Photographer: Unknown. Layout: John Mayall)

Update 6/4/12: My article did not make the transition when MusicAngle switched to AnalogPlanet, but is still available here. Continue reading “”

NICK DRAKE : PINK MOON

This week is the 40th anniversary of Nick Drake’s third and final album, Pink Moon. It was recorded live in four hours during two midnight sessions in October 1971 at London’s Sound Techniques by the legendary John Wood.

Released on Island Records February 25, 1972, the eleven-track album is only 28 minutes long. But it’s 28 minutes of some of the most graceful, poetic, and introspective music cut to vinyl. Featuring Drake’s intimate vocals and guitar (piano was added to the title track) it is very personal stuff. This is melancholic music to listen to at midnight… And one of my favorite records of all time. Continue reading “”