Category: Vinyl / Tunes Blog

1960’S LAUREL CANYON, LOS ANGELES REVISITED

In 1969, the Aquarian themes of Woodstock (peace, love and music) were being played out on a smaller scale in the secluded Los Angeles neighborhood of Laurel Canyon, which is defined by a road that links Hollywood Blvd. to Mulholland Drive. Two years earlier Joni Mitchell had purchased a wooden cottage that had been built by a jazz musician into the side of a hill on Lookout Mountain Avenue. Several of the songs Mitchell wrote at the time, including the title track of her third album, were a direct result of her embracing that slice of bohemian counter-culture. Continue reading “”

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FAVORITE ALBUMS

Compiling a personal list of favorite albums can be challenging. From the first song to the last – not many records hang together as a whole.

This is one of the supposed advantages of downloading singles. You get to hear just the “good stuff”. Unfortunately, the good stuff tends to change with time, and this practice tends to ignore the concept of the well-crafted thematic album that can transport you to a another place. Continue reading “”

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ENJOYING TURNTABLES AND VINYL WITHOUT OBSESSING

Record Store Day is this Saturday. In preparation, here are a couple of good articles in The New York Times and the LA Weekly on enjoying the advantages of vinyl records without going crazy. There are lots of options for turntables, cartridges, and phono stages now that make spinning wax very easy. Collecting near mint first pressing original LPs, or tracking down the best sounding records? Well, you can go a little nuts doing that! Continue reading “”

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KID CHARLEMAGNE

Three dozen years ago, Walter Becker and Donald Fagen of Steely Dan were putting the finishing touches on one of their lesser known albums – The Royal Scam. It’s a “fusion of a funk rhythm and jazz harmonies with rock and roll instrumentals and lyrical style” according to Wikpedia.

Of particular note is the track, “Kid Charlemagne”. On this song, guitarist Larry Carlton incorporated a jazz-inflected electric solo. It’s become famous for its difficulty to play and also for the finger-tapped hammer-on technique implemented near the end. This effect was not widely used until Van Halen’s first album was released two years later. Continue reading “”

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BOB DYLAN

Fifty years ago today, Bob Dylan released his debut album on Columbia Records. Billboard said at the time, “Dylan, when he finds his own style, could win a big following.”

Like many of Dylan’s early albums, including Freewheelin’, you want to hear this in mono. The stereo records of this title are hard panned 2 track mixes with the guitar in one channel and vocals in the other. Sony recently put out a Dylan mono LP and CD box set that sounds great. Continue reading “”

GIVE US A RING

In the wee small hours of the evening/morning when I’m home I often sit down and listen to vinyl records on my stereo. Sometimes it’s Sinatra. Sometimes it’s Miles Davis, Bill Evans, Beck, Nick Drake or John Martyn. Here’s something I find fascinating…

Once I begin to play certain songs, I know I will be hearing them in my head for hours. Here’s a virtually unknown tune from 1970, it’s disarmingly simple and comforting, an endless poem/lullaby song cycle that’s somewhat melancholic, with lyrics that make no sense whatsoever. Perfect for those trying to fall asleep. Paul Harris on piano is sublime.

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BLUES BREAKERS MONO LP REVIEW

My article discussing this landmark 1966 British blues album and Sundazed’s recent mono reissue is now on-line at Michael Fremer’s MusicAngle.com. Included is a brief history of the role Eric Clapton played in John Mayall’s Blues Breakers band and how the various pressings compare for this often preferred mono mix.

(Photographer: Unknown. Layout: John Mayall)

Update 6/4/12: My article did not make the transition when MusicAngle switched to AnalogPlanet, but is still available here. Continue reading “”

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NICK DRAKE : PINK MOON

This week is the 40th anniversary of Nick Drake’s third and final album, Pink Moon. It was recorded live in four hours during two midnight sessions in October 1971 at London’s Sound Techniques by the legendary John Wood.

Released on Island Records February 25, 1972, the eleven-track album is only 28 minutes long. But it’s 28 minutes of some of the most graceful, poetic, and introspective music cut to vinyl. Featuring Drake’s intimate vocals and guitar (piano was added to the title track) it is very personal stuff. This is melancholic music to listen to at midnight… And one of my favorite records of all time. Continue reading “”

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NEIL YOUNG & CRAZY HORSE

Word is that Neil’s “back on the horse” and currently completing a new “concept” abum with Billy Talbot, Ralph Molina, and Frank “Poncho” Sampedro.

Here’s a link to the video of “Horse Back.” It’s a jam session with “Cortez the Killer” as an ending – recorded by John Hanlon, all 36 minutes of it. That’s longer than Neil’s entire first solo album! The behind-the-scenes video of the equipment that goes into making a “Crazy Horse” record was shot by Ben Johnson. Continue reading “”

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CROSBY, STILLS & NASH

Just released is this Atlantic/Audio Fidelity Gold CD of Crosby, Stills and Nash’s self-titled debut album. I was fortunate to have been invited to sit in on the mastering session with Steve Hoffman behind the controls at Marsh Mastering in Los Angeles CA a couple of months ago. My article describing that session, the music on this landmark 1969 release and the sound of this latest CD is now on-line at Michael Fremer’s MusicAngle.com. Photos from that day accompany my review. Thanks to all involved. Have a great New Year!

My CS&N review on MusicAngle.com

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LED ZEPPELIN IV

Forty years ago Led Zeppelin ruled the charts and airwaves with the epic (and overplayed) “Strairway to Heaven”. I still remember when I first heard it. I was a senior in HS and my girlfriend’s best friend was ultra hip. She had somehow got a copy of LZ IV before the stores carried it. One listen and I knew what I’d be playing for my “Creative Poetry” class the following week. Everybody was mesmerized as the LP spun that day. I went King Crab fishing in Alaska six months later and was essentially incommunicado. By the time I returned it was playing every half hour on the radio. Continue reading “”

THE NORTHERN CALIFORNIA COAST

I’ve blogged before about how much I enjoy the central California coast. Having just driven from Bodega Bay to Crescent City along coastal Hwy 1, my love for the northern CA coast has been reignited.

Most of the towns I spent time in were located in Mendocino county: Sea Ranch (great walking trails and vacation rentals), Guallala (killer B-BQ), Point Arena (check out breakfast at the organic cafe next to the dock), Irish Beach (idyllic setting), Albion/River (rent a boat), and Mendocino (kayak or shop away). As for the road to Leggett, I missed my 911. Continue reading “”

PINK FLOYD : MEDDLE

Pink Floyd’s sixth album was their breakthrough record in many ways. Many PF fans believe the end started with the earlier departure of Syd Barrett, but this next line up created some great art rock, including this surreal soundscape. The cover photograph portrayed a close-up of an ear underwater. Continue reading “”