Category: Vinyl / Tunes Blog

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NICK DRAKE : PINK MOON

This week is the 40th anniversary of Nick Drake’s third and final album, Pink Moon. It was recorded live in four hours during two midnight sessions in October 1971 at London’s Sound Techniques by the legendary John Wood.

Released on Island Records February 25, 1972, the eleven-track album is only 28 minutes long. But it’s 28 minutes of some of the most graceful, poetic, and introspective music cut to vinyl. Featuring Drake’s intimate vocals and guitar (piano was added to the title track) it is very personal stuff. This is melancholic music to listen to at midnight… And one of my favorite records of all time. Continue reading “”

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NEIL YOUNG & CRAZY HORSE

Word is that Neil’s “back on the horse” and currently completing a new “concept” abum with Billy Talbot, Ralph Molina, and Frank “Poncho” Sampedro.

Here’s a link to the video of “Horse Back.” It’s a jam session with “Cortez the Killer” as an ending – recorded by John Hanlon, all 36 minutes of it. That’s longer than Neil’s entire first solo album! The behind-the-scenes video of the equipment that goes into making a “Crazy Horse” record was shot by Ben Johnson. Continue reading “”

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CROSBY, STILLS & NASH

Just released is this Atlantic/Audio Fidelity Gold CD of Crosby, Stills and Nash’s self-titled debut album. I was fortunate to have been invited to sit in on the mastering session with Steve Hoffman behind the controls at Marsh Mastering in Los Angeles CA a couple of months ago. My article describing that session, the music on this landmark 1969 release and the sound of this latest CD is now on-line at Michael Fremer’s MusicAngle.com. Photos from that day accompany my review. Thanks to all involved. Have a great New Year!

My CS&N review on MusicAngle.com

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LED ZEPPELIN IV

Forty years ago Led Zeppelin ruled the charts and airwaves with the epic (and overplayed) “Strairway to Heaven”. I still remember when I first heard it. I was a senior in HS and my girlfriend’s best friend was ultra hip. She had somehow got a copy of LZ IV before the stores carried it. One listen and I knew what I’d be playing for my “Creative Poetry” class the following week. Everybody was mesmerized as the LP spun that day. I went King Crab fishing in Alaska six months later and was essentially incommunicado. By the time I returned it was playing every half hour on the radio. Continue reading “”

THE NORTHERN CALIFORNIA COAST

I’ve blogged before about how much I enjoy the central California coast. Having just driven from Bodega Bay to Crescent City along coastal Hwy 1, my love for the northern CA coast has been reignited.

Most of the towns I spent time in were located in Mendocino county: Sea Ranch (great walking trails and vacation rentals), Guallala (killer B-BQ), Point Arena (check out breakfast at the organic cafe next to the dock), Irish Beach (idyllic setting), Albion/River (rent a boat), and Mendocino (kayak or shop away). As for the road to Leggett, I missed my 911. Continue reading “”

PINK FLOYD : MEDDLE

Pink Floyd’s sixth album was their breakthrough record in many ways. Many PF fans believe the end started with the earlier departure of Syd Barrett, but this next line up created some great art rock, including this surreal soundscape. The cover photograph portrayed a close-up of an ear underwater. Continue reading “”

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BACK FROM CALIFORNIA:
RENNSPORT REUNION & CS&N REMASTERING

Wow, what a week..

This past week held some of the high points of my life. There were a couple of low points to be sure, but I can’t begin to tell you about it all (because I really can’t tell you..).

It started with Porsche’s Rennsport Reunion IV at Laguna Seca. I had a photography booth in the vendor area that I shared with early 911 parts guru Eric Linden. Thanks, Eric, for being so accommodating while I ran around taking photos like a crazy man. I shot a very cool cover story for Excellence magazine on Saturday morning that I will tell you about later. Continue reading “”

STEVE JOBS 1955-2011

I’ve only known two true visionaries who lived during the 20th Century. One was my mentor, photographer Ernst Haas (1921-1986). The other was Steve Jobs of Apple. Both were creative geniuses, both died too young.

It’s one thing to say, “A lot of times, people don’t know what they want until you show it to them.” It’s another to actually prove it worldwide several times over.

RIP

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MICHAEL FREMER’S MUSICANGLE

I’m at once humbled and honored to announce that I am writing for Michael Fremer’s well-known music website, MusicAngle.com.

A senior contributing editor to Stereophile with his column “Analog Corner,” and before that a writer for The Absolute Sound, Listener and his former magazine The Tracking Angle, Michael is one of the most respected experts in all things high-end audio and analog. He was also one of the few champion defenders of vinyl when it was close to becoming a dead format in the late 80’s and early 90’s. Thanks to Michael and others, listening to LPs has made a comeback and is now a thriving audio experience. Continue reading “”

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NEW QUALITY RECORD PRESSINGS

CAT STEVENS : TEA FOR THE TILLERMAN

OK, I finally found a few hours to compare the various masterings of Cat Steven’s Tea For the Tillerman that I have in my collection.

First, let me say that I am both a fan of this album and Chad Kassem’s efforts as the producer of this new Quality Record Pressings LP reissue. Whether that disqualifies me from being objective, I will leave up to the reader.

In my mind, being a fan of an album ensures that you have listened to it repeatedly, and you are likely to be intimately familiar with the music on it. If you are also an “audiophile”, you probably have already gone through the trouble of acquiring more than one copy, and may have even compared these copies to see which one sounds best to you, maybe on numerous occasions. Guilty on all counts. Continue reading “”

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BETH ORTON

Every once in a while I discover a musical talent who has somehow managed (for the most part) to fly under the pop mainstream radar. When I first heard the uplifting “Central Reservation” from Beth Orton’s album of the same name, I knew I had to hear more. I’m glad I did.

This lady has such a catchy, soulful and uniquely modern sound, she absolutely blows me away. Unfortunately she could have been blowing me away for the past ten years, because this album was released in 1999. The album before it, Trailer Park is just as amazing – as is the US top 40 one that followed in 2002, Daybreaker. Continue reading “”