“What one does is what counts, not what one intends to do.” -Picasso

“Success is what you give yourself, fame is what others give you.” -Deanne Delbridge

“In every artist there is poetry. In every human being there is the poetic element. We know, we feel, we believe. As knowers, we are like the scientist, relating through logical determination. As feelers, we are like poets, relating the unrelated through intuition. As believers, we are only accepting our human limitations. The artist must express the summation of his (her) feeling, knowing and believing, through the unity of his (her) work. One cannot photograph art, one can only live it in the unity of his (her) vision, as well as in the breadth of his (her) humanity, vitality and understanding.”
-Ernst Haas

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There are very few wheel men in the business who are as experienced with Porsche Fuchs as Harvey Weidman of Oroville California. His knowledge is encyclopedic, and he is as down to earth as anyone I know. I recently had the opportunity to visit his shop twice and was very impressed with the care and service he provides to his customers. From repairs to refinishing, to even remanufacturing rare wheels, Harvey can do it all. Continue reading “”



Here’s wishing you safe travels and the freedom to do what you want today.

Some American quotes:

“The United States are essentially the greatest poem.” – Walt Whitman

“Each generation of Americans has to face circumstances not of its own choosing, by which its character is measured and its spirit tested.” – Jimmy Carter

“The great social adventure of America is no longer the conquest of the wilderness but the absorption of fifty different peoples.” – Walter Lippmann Continue reading “”



The September 2010 issue of Outdoor Photographer magazine will present a five page article with my photographs titled “50 Years After Travels With Charley.” This feature will cover my twelve year, 150,000 mile journey following John Steinbeck’s route from his 1962 travelogue. My book agent is contacting prospective publishers about my work-in-progress project, which celebrates the publication of Steinbeck’s Travels with Charley in Search of America fifty years later. Continue reading “”



I’ve had some inquiries on how to decipher the small markings in the vinyl next to the label on UK Beatles LPs. You can deduce the numbering system for early EMI pressings by looking at the label and going to 6 o’clock in the dead wax (run off groove) area of the vinyl. The following holds true for all records pressed by EMI during the 60’s and 70’s. Continue reading “”


After a three year absence from the podium at Le Mans, Porsche returned with a GT3RSR winning its class at the worlds greatest 24 hour endurance race. Factory drivers Marc Lieb (Germany), Richard Lietz (Austria) and Wolf Henzler (Germany) piloted their German Felbermayr-Proton Porsche to a two-lap GT2 win over the second-place Ferrari. With this victory Porsche bested some very strong opponents, including BMW, Chevrolet Corvette, Jaguar and Spyker. The latest GT3RSR currently holds the championship lead for both the European and American Le Mans Series, and was the most successful GT race car of 2009. Continue reading “”



In my travels I sometimes come across a slice of Americana so remote and hard to get to that it remains essentially unchanged from earlier times. As you might imagine, locations like this are becoming increasingly scarce. The only thing that keeps these communities isolated from progress are roads so treacherous that transport along them is ill-advised.

I recently came across such a location on my last trip to California. Continue reading “”



I am pleased to announce that I have been honored with a 40 print photography exhibit at the National Steinbeck Center in Salinas, CA during this year’s Steinbeck Festival weekend August 5-8. In addition, I will be presenting a multimedia film that will also be playing in the Center’s theatre during this time until October 22nd. My humble thanks go to the Center’s Executive Director, Colleen F. Bailey, and Curator, Deborah Silguero-Stahl, for their support of my project. Hope to see you there! Continue reading “”


So why do those who cling to artifacts from the past continue their quest for experiential freedom? Well, for one there is a considerable amount of “feel” connected to these arguably archaic hobbies of vintage sports cars, film and vinyl. The pursuit of these involvements is more art than science. It’s not pure instrumentation and technology that will get you all the way there. Intuition and a willingness to be open to a non-black and white world are often necessary to achieve that elusive bliss these fans strive for. The pay off is a feeling of satisfaction when the visceral pleasure of playing a great LP, using a mechanical rangefinder, or driving an early Porsche 911 well is truly experienced. Even ordinary tasks become part of the appeal of caretaking something so old, unique and inherently valuable. Continue reading “”


My history with cameras is remarkably similar to that for early 911s. I learned to photograph and develop my own black and white film in 1979 with a German made Leica M3. That first rangefinder camera led to the use of numerous film-based Leica cameras and lenses, which have a smoothness and mechanical precision missing from many other models. I still love using the Leicas for their purity, quiet shutter and silky film advance lever. However I’ve made Canon digital SLRs my choice for most subjects since photography has become my profession (and Leica discontinued its SLR line.). Continue reading “”


You’ve probably read enough analogies of sports cars, fine cameras and luxury audio equipment in high-end lifestyle magazines to get the idea that journalists are passionate about these in a big way. I’m not immune and vinyl records, Leica rangefinders and Porsche 911s have been a primary fascination of mine since 1964. That’s when I bought my first LP, was gifted a camera, and was introduced to the early 911. I immediately fell in love with the feel and sound of the long playing record, the shutter advance of the film camera, and the Porsche 911’s hooligan nature with its air-cooled flat six barking a nasty exhaust note. School and financial obligations kept me from fulfilling my dreams of ownership for a long time, but I promised myself that someday I would have a top notch analog stereo system, a Leica M series rangefinder, and a pre-‘74 911. Continue reading “”


THE BEATLES PART 4: Bargain Pressings

The vinyl resurgence has brought many older music fans back to their turntables and a younger generation into the wonderful world of records. Large art work and the visceral experience of listening to vinyl is the payoff for many. If you are on a budget and want to acquire clean LPs of this Beatles title at a reasonable cost – there are some options for you. Continue reading “”


THE BEATLES PART 3: Choosing a STEREO Pressing

The White Album is probably most familiar in stereo, so that’s where I’ll focus most of my attention. The recently re-mastered CD of this seminal album sound very good. It’s a little compressed for my tastes, but successful as a very clean transfer of what it must be like listening to The Beatles in Technicolor. Just be aware that the quieter songs are mastered louder to more closely approximate the dynamics of the rockers, so purists may be a bit shocked by the changes due to limiting. The previous release may be preferred in this instance. Continue reading “”


THE BEATLES PART 2: Choosing a MONO Pressing

The blank cover of The White Album was perhaps symbolic of the Fab Four’s reluctance to reveal their internal disintegration. Lennon and McCartney still shared songwriting credit, but were being pulled apart by their differing creative and philosophical interests. As a result they were composing almost exclusively on their own. Their songs, along with George Harrison’s, covered a wide variety of emotions – joy, disdain, empathy, boredom, hope, sadness, love, anger, even hysteria. The White Album not only stretched the rules, it broke them.

By 1968, stereo albums were becoming increasingly popular, and this would be the last Beatles album to receive a dedicated mono mix (1969’s Yellow Submarine mono soundtrack is a fold down). The mono mix of The White Album differs from the stereo version on several songs. This makes for interesting listening for those who are intimately familiar with the US LPs – released in stereophonic sound only. One example is Eric Clapton’s guitar solo on “While My Guitar Gently Weeps”, which is more modulated and goes on longer before the fade-out. Continue reading “”



After Rubber Soul and the artistic heights of Revolver and Sgt. Pepper, The Beatles followed up in 1968 by forming Apple Records and releasing a double LP that would go on to become their biggest seller and perhaps the favorite Beatles album for younger listeners. Sporting a clean white cover featuring only their embossed name and a serial number printed in gray ink, The Beatles (a.k.a. The White Album) was a strong departure from what had come before.

Many of the tunes were written in India where the group had attended a spiritual meditation retreat with the Maharishi Yogi. Recording the tracks in England was a less than blissful experience however. John was bringing Yoko into the studio every day, Ringo temporarily quit the band in frustration, and producer George Martin was unable to end the bickering or edit the band’s output. The result was an album of thirty songs that bordered on the self-indulgent. Continue reading “”