LIVING IN THE MATERIAL WORLD

Exhausted, George Harrison entered 1973 on the heels of The Concert for Bangladesh, the first multi-artist fundraiser in Rock. It turned out to be less of the charitable event than he had hoped for, even with multi-million dollar sales from the subsequent film and album.

In response, he released this #1 follow-up album, an equally star-studded mix of songs recorded at his new in-home studio. Released 40 years ago, here’s George Harrison’s fourth solo studio album. This album is not at the level of his previous effort, All Things Must Pass. But it had the same vibe – with perhaps a bit more personal flavor. That suits me just fine. Especially when you consider the list of guest musicians: Gary Wright, Klaus Voormann, Jim Keltner, Ringo Starr, Leon Russell, Jim Horn, and Nicky Hopkins.

Please note that all the rhythm and lead guitar parts were performed by Harrison alone, even though Eric Clapton appears on the opening photo.The tunes run the gamut from Hindu spirituality to ruminations about legal problems. Today, I still find it a nice listen that remains surprisingly relevant. Sonically, the original UK LP pressing is the one to go for.

(Cover Photograph: Kendall L. Johnson, Below: Unknown)