PART II. 15 TIPS FOR THE DIGITAL PHOTOGRAPHER

This is my second article in the creativity and photographic process series from 2012:

Many of these tips I credit to other photographers and authors, especially Ernst Haas, Sam Abell, and Deanne Delbridge.

1. Work with the minimum amount of equipment and be totally familiar with it. Consider exercising with your gear before a shoot.
2. Check all cameras, lenses and flash units before any shoot remove smudges from lens elements/filters, dust from sensors, and charge all batteries.
3. Take more batteries and digital media storage than you think you will need.
4. Know before you go: Research your subject and location for favorable concepts and backgrounds. Weather is a factor, but remember bad can be good.
5. Rest completely and eat little before shooting.
6. Check your histogram for exposure, then forget about the review monitor as much as possible.
7. Never say to yourself, I’ll get it later.
8. Listen to your intuition. Turn around. Look up. Place the camera on the ground or over your head.
9. Look for unusual lighting, perspectives, backdrops, foregrounds, framing elements, details, symbols, reflections, and colors that accentuates the subject’s character.
10. Work slowly, remain open and flexible, pursue your own vision, go beyond expectations. Have fun and photograph what appeals to you.
11. Practice using your position and the viewfinder to eliminate distracting elements at the edges of the frame and near your main subject. Remember, the eye of the viewer will always go first to the brightest, most colorful area.
12. Be descriptive without showing everything. Eliminate any contradictions in the image. Place the horizon line thoughtfully. The above are most important when you are excited.
13. Compose formally, and use a tripod when you can, but allow informality to take the image to another place, to a picture you can’t memorize.
14. Try to weave two or three photos together into one with layers of information.
15. Attitude is everything.

Also, periodically answer these questions in writing:

What is the most important thing in my life?
At what times do I feel most alive?
What is my personal definition of photography?
Where would I like to be as a photographer?
What’s keeping me from getting there?
What are my greatest strengths and weaknesses as an artist?
What am I trying to say?
“What does my dream job look like?”
If I could make just one set of photographs what would it be?

Part I

Part III

Inspirational Quotes

Digital Photo Pro Article with Randy

HAPPY 4TH OF JULY!

Congratulations to Bob Tilton on the 2nd anniversary of his WerkCrew blog site. It’s been a pleasure to be involved in his projects and to watch him grow as a photographer. The guy’s got a seriously good eye.

Werk Crew

Also, be sure and check out the “VPI Traveler Turntable and Dynavector Cartridge Giveaway” from Music Direct on Michael Fremer’s Analog Planet site. You could win a brand-new record spinner!

Analog Planet

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SEEING THE WORLD THROUGH A NORMAL LENS

It’s been a long time since I’ve used a fixed focal length normal lens for stills (the first time was when I bought a Canon AE-1 in 1976). I have a 50mm f2 Summicron for my Leica M rangefinder, though I use it more for personal work. As a cineamatographer, I also use several fast fixed focal length lenses on my 5D MK II DSLR for motion filming. Continue reading “”

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ALL-AMERICAN ROADS

When America’s best scenic drives are discussed, a few always make the list. US Hwy 1 on the Pacific Coast is an obvious choice, as is Going-to-the-Sun Road in Montana. As amazing as these roads are, over 20 more are considered “All-American Roads” (see below), and one in particular stands out above all the rest as being both uniquely uncrowded and spectacular. Continue reading “”

PART I. PHOTO TIPS – THE FIFTH ELEMENT IN PHOTOGRAPHY

Over the next three months, I’ll be posting once a month about creativity and photography. Here’s the first installment:

There are many ways to look at photography. Like music, one can see it as an expressive art form that captures an always-changing continuum. If you break down a photograph into only four elements you will probably come up with something like this: light, form, line and color. The corresponding elements in nature are: fire, air, earth and water, like the points of a compass. Going further, the elements of man reveal another quad: heart, mind, body and soul. There is also a fifth element to consider – that of transition, moment, space and consciousness.
It is this fifth element that can elevate the common photograph to one that exceeds our expectations – to one we cannot memorize. What makes a memorable photograph is nuance – a subtle gesture that combines with colors and symbols to strike a universal chord in the viewer. The photographer who has a deep passion or connection with the subject is more likely to be ready when this appears in the viewfinder.

It is ultimately the viewer’s emotional response to an image that makes a lasting impression on the consciousness that transcends experience. Joseph Campbell once paraphrased Heinrich Zimmer as saying: “The best things in life are transcendent, the second best are misunderstood, and the third best are conversation.” It seems that even photographs can be put into philosophical terms, just don’t try to talk about it…

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OUTLAW 356 AND 911 : BLACK AND SILVER

Once again, Excellence magazine has chosen to feature some remarkable Porsches. This month’s issue (#201) includes a black 1958 Porsche 356A sunroof coupe that became a Willhoit GT special and a silver 1972 Porsche 911 hot rod that returned to the street after many years as a race car.

I was fortunate to have covered both of these California cars in photographs and words. Each owner, Dick Moran and Chris Messano, is a true enthusiast intent on fulfilling their aspirations. Thanks, guys, for being who you are… Continue reading “”

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SCOTLAND

Magical moments are something we photographers live for. They are one of those times when we feel most alive.

This was one of those moments. My wife, Andrea, and I were touring Scotland and realized that the following evening would provide a full moon at dusk and a high tide reflection of the Eilean Donan Castle lit by the western sky in a nearby bay. It’s something that happens maybe once a year IF you are lucky and the weather is clear. Continue reading “”

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GREAT SMOKY MOUNTAINS NATIONAL PARK

It’s only the first day of Spring, but never too early to be thinking about where to go. By mid-April flowering dogwood trees and early morning fog combine to produce wonderful scenes in a national park that deserves to be savored slowly. Straddling Tennessee and North Carolina, Great Smoky Mountains National Park is a traveling photographer’s delight. Continue reading “”

JERRY SEINFELD AND MY EXCELLENCE COVER

Considering all the appearances Excellence Magazine made on Jerry Seinfeld’s coffee table in his TV series, it’s only appropriate he should be on the cover someday.

I was honored to be given this assignment, and Jerry was great to work with. My shoot with his Porsche 550-003 went incredibly well. “Spectacular” is one way of describing this 200th issue.

It’s one of the very few Excellence Magazine covers featuring a person and an older Porsche. Thanks to Jerry Seinfeld, Sam Cabiglio, Robert Martinez, Joe Cavaglieri, Peter Brock, Pete Stout, John Kirikois, Tom Toldrian and everyone at Excellence Magazine for making this happen.

Excellence Magazine
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DIGITAL PHOTO PRO : MY AUTOMOTIVE STILLS ARTICLE

Thanks to Christopher Robinson and the staff at Digital Photo Pro Magazine for featuring my car photography in their March/April 20112 edition on-line and in print. I love sharing my experience with other enthusiasts, and this is the very best photography venue in which to be featured! Continue reading “”

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CONGRATS TO JOHN WILLHOIT

The current issue of Excellence Magazine (#199) features my article and photos on John Willhoit’s ’71 911T hot rod in beautiful pastel blue. John brought this Porsche back from the dead with his skill and craftsmanship. It has a 3.2L short stroke EFI motor, Boxster brakes, ST seats and Heuer timers – plus more. Although the car had been left outside by the original owner for decades, he was able to preserve almost all of the original paint. Amazing trick build… Continue reading “”

INSPIRED : ANTARCTICA

The last installment in this “inspired” triptych is water/air. Nowhere is the balance between these two elements more delicate than in the ice-bound ecosystem called Antarctica.

Antarctica was the last continent I visited in the 1990’s. After four days of travel, I finally arrived at this serene environment. The eeire silence was punctuated by the sounds and sights of humorous penguins. “Otherworldly” is the best way I can describe my experience there. Continue reading “”

INSPIRED : HAWAII

For the second part of the “inspired” elements triptych (earth, fire, water/air), I’m going for an aerial photograph made from a helicopter at sunrise over Maui. Another homage to Ernst Haas.

Haas was a genius and the pioneer of color photography when it comes to fine art. Eggleston? Sorry, not the first to have a color exhibit at MOMA in 1962. Porter? Sorry, kinda boring and a bit pedestrian. Shore, Meyerowitz? Ditto. Continue reading “”