FROM 50 MM TO 28 MM

It’s interesting when you think about it. In the 1950s and before that, people saw the world with what artists called a “normal” perspective. It resembled a 50 mm focal length composition on a full-frame 35 mm format camera.

You see that perspective when you travel to European cities. The streets and buildings are narrow and complement that field of view. Continue reading “”

CANDYCE’S 1973 PORSCHE 911S

A big thank you to everyone at PCA’s Panorama Magazine for publishing my story about a woman who carried on her husband’s legacy.

This month’s issue features my images and words about a 1973 911S in Sepia Brown that has won countless concours since Candyce Jones inherited it from her late husband. The image above was photographed with Candyce at the wheel while attending PCA Parade in Lake of the Ozarks, Missouri. This is a great story for many reasons. Continue reading “”

IT’S ONLY A MATTER OF GOING

From this day forward, all images on this site will be 550 pixels or wider, so you can better see the differences in quality.

“Actions speak louder than words.”

I’ve always believed in that. Yet, in today’s world, more and more, made up images and words are often believed over actions that are actually true. Continue reading “”

LOST IN TRANSLATION

“Lost in Translation is a 2003 American romantic comedy-drama film (that won an Oscar) written and directed by Sofia Coppola. Bill Murray stars as Bob Harris, a fading American movie star who is having a midlife crisis when he travels to Tokyo to promote Suntory whisky. There, he befriends another estranged American named Charlotte, a young woman and recent college graduate played by Scarlett Johansson.” -Wiki Continue reading “”

SO, WHAT’S A BARE BONES AUTOMOTIVE VIDEO RIG?

A simple car shoot video rig is ideally compact, lightweight, and easy to use. It’s also hopefully not too expensive. After all, it’s your vision and message that will determine the success of any film more than anything else.

Whatever rig you choose, you don’t really want to compromise much on quality – for the camera, the lens, monitor or the audio mic. Continue reading “”